## bbblow (AnonStepper) [7.5/10] Fixes Required

- Permission: OK.
- Sync: The song is 160.000. Please change BPM from 159.975 -> 160.000.
- Metadata: Please put FFR Username in Credit field.

01.530: Love the use of PR to accentuate the audio panning left to right.
19.907: Consider making this into a jump, the hand on the beat before does the crash sound fine, and the rest of these jumps following is the echo of the crash, same with the one mentioned.
26.283: Very fun way of representing this repeated sound.
38.848: This does not need to be a jump, what you are representing as jumps previously and onward does not follow. Nonetheless, I am sucker for the PR'd jumps here. Really fun to play back.
41.286: Consider changing this jump from [12] -> [24]. This way, PR is preserved.
50.381: The minijack formed here isn't really technically correct, but it does add to the intensity of the music and creates a nice motif that makes this part feel just that much more energetic.
59.664, 2:01.155: The 24ths in this section don't exactly go to anything and don't really feel like a part of that motif you had created previously. Consider changing this up.
1:02.945: Consider moving this 16th to the other hand since the following bass note is on 3. Since there are two separate sounds (the 8th and the 16th) both on one hand, it doesn't feel as satisfying.
1:12.978: Consider having this a single note on 4, the subsequent jumps can stay, since a new sound is introduced there alongside what is represented with the minijack on 4 prior.
1:28.342: Consider moving this from 3 -> 1.
1:30.967: Consider changing the following 31412 to 21314 to accentuate PR slightly better.
1:33.030: [Fix Required] This should be a jump considering your other jump placements.
1:34.717: You're missing notes around here that existed previously where this sound was.
1:39.967: It's strange not having the minijacks here, lol.
1:44.842: I am surprised this is not formed into a minijack. Usually a sound like this would be represented as one.
1:55.342: [Fix Required] This here is way too dense in comparison to the rest of what is going on and does not call for this pattern. Loosen this up and clean it up to keep it consistent with how you've had it before.
2:00.405: Not seeing much reason for this to be formed into a minijack.
Overall, this chart is very enjoyable to play. The repeated use of minijacks very much add to the personality of this chart and the vibe is quite energetic and enjoyable. I personally can see myself playing this over quite a few times, the feeling of the chart is quite distinct and done just right for this song.

## Pictionary Theme (AnonStepper) [0/10]

- Permission: There is no permission given for this artist.

Unfortunately, since no permissions have been provided at this time. I am unable to review the simfile.

## Terra Firma (AnonStepper) [4/10]

- Permission: OK.
- Sync: OK.
- Metadata: Please put FFR Username in Credit field.

4.615: The 32nd triplet here does not accurately represent the sound. The 32nd on 3 is a ghost note. Same for all other instances of this.
4.961: The 32nd triplet here does not accurately represent the sound. I can slightly see the appeal here for the "swoosh" sound that happens from the 16th to the 8th, however, in this scenario it doesn't work that well. The 32nd on 2 is a ghost note. Same for all other instances of this.
9.692: These are 64ths, and using [34][12] does not correctly represent the sound. I strongly suggest changing this to a 64th burst. Something like 4321 or 4312 could work.
9.577: This sound is usually attached to a minijack that has the 8th following.
9.807: This 16th has been a jump, consider making it a jump to preserve consistency.
9.923: Consider changing this to a jump, it has nothing different than the other jumps you used to represent this sound.
16.961: Similar notes to the previous three notes. The 32nd trill is nice.
19.500: Missing 16th here.
19.615: Consider moving this higher, for pitch relevancy. Adjust former 8th and noted 16th accordingly.
23.769: Ghost note, it is an echo of the chord from the previous beat. For consistency sake, it also is not represented the previous time this occurs.
27.461: Consider changing where this jump is placed, it does not make sense for the jump before it and this one to both be located on [14] since they are differing pitch.
33.000: Interesting to have the vocals here be jumps, I personally would not recommend this since there is only one sound occuring at this time.
33.461: From this point onward, the issues mentioned above are still present, so please review the notes to modify this section accordingly.
33.500: This 48th flam is a ghost note and does not need to exist. I personally recommend moving it down a 48th to form a jump on beat 72.
33.577: The minijack motif here is missing.
41.538: This is new, it is also far too dense for the sound that exists at this point. Fix for all places this happens at in the future.
48.231: This is a fairly strong piano note, I recommend maybe introducing some color theory to accentuate this. Completely up to you.
1:18.000: I recommend moving this 8th to 3. Having it form a "minijack" from the 2 on the 4th before it doesn't really represent this accurately.
1:20.769: Benn is inhaling here, I would suggest omitting this note.
1:25.154: This jump should be omitted.
1:26.307: Closer to 1:26.269.
1:28.615: Closer to 1:28.557.
1:30.461: Closer to 1:30.404.
1:32.077: This beat here is not accurate with the way it is currently charting. I heavily recommend slowing down the song and carefully placing notes to accurately represent the ritardando.
1:32.538: From this point on in the song, the chart becomes wildly different than how things were represented initially. I recommend check changes made thus far and comparing it to verify you are being consistent for the rest of the song. Some things will not be noted later because they have been pointed out in previous notes or following notes. I hear that the song is slightly more intense here, as a result the patterns could be shifted to reflect this, but representing things differently would not work well.
1:32.769: I suggest changing this 8th to be a single note and forming a minijack with the 16th prior like you did previously. This goes for all variations of this following.
1:33.000: This note would work best as a jump. This goes for all variations of this following.
1:35.307: It is okay to omit this note like you had in the previous verses. This goes for all variations of this following.
1:38.307: This bit has been represented differently here, but see note 9.692. This goes for all variations of this following.
2:09.461: I recommend changing this trill here to sway to different sides depending on the panning audio, which in this instance goes from the right, to the left, back to the right.
2:11.577: I suggest accentuating this as a flam using a [14] and removing the 4 on the 8th jump below to turn that into a single note.
2:12.923: This sound has a different timbre than the previous 8th jump, I recommend moving this single note to a note that does not exist from the previous 8th.
This file has some cute motifs here and there, however most of this is quite technically incorrect. Some of the bits charted are misrepresented and are slightly overdone. While it is not always bad to do this, for a song like this, it is not properly aurally represented and the experience of the chart is not living up to it's full potential. There is potential here, however I believe most of this chart would be need to be redone.